1916 DOG SALE PUPPY PLAY STOREFRONT WINDOW WALTER DE MARIS ARTIST PRINT FC4866 for Sale

1916 DOG SALE PUPPY PLAY STOREFRONT WINDOW WALTER DE MARIS ARTIST PRINT FC4866 For Sale

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1916 DOG SALE PUPPY PLAY STOREFRONT WINDOW WALTER DE MARIS ARTIST PRINT FC4866 :
$21.95

1916 DOG SALE PUPPY PLAY STOREFRONT WINDOW WALTER DE MARIS ARTIST PRINT FC4866

DATE OF THIS**ORIGINAL** ITEM:1916

THIS ITEM IS A ONE-PAGEPRINTFROM ANORIGINALPERIODICAL.THEREIS ONEPHOTO, SO PLEASELOOK OVER CAREFULLY FOR SIZE AND CONDITION! NOTE: SOME PHOTOS MAY HAVE A BLACK BOX COVERING UP THE NAME OF THE PERIODICAL - IT IS ONLY LAYING ON TOP OF THE ITEM - NOT PERMANENT.

ILLUSTRATOR/ARTIST:

WALTER De MARIS

(1877-1947)

Walter Godfrey DeMaris was born September 24, 1877 in Cedarville, New Jersey. His father, Charles DeMaris, was born 1836 in New Jersey. His mother, Lucy Henderson, was born 1838 in New Jersey. His parents married in 1858. They had six children, of which only four survived infancy. He was their youngest child. His older siblings, Nettie, Ida and Charles, were born in 1860, 1867, and 1870. They lived at 157 South Giles Street in Bridgeton, New Jersey. His father was a captain of a sloop and a barge, as well as the proprietor of a local oyster bar and saloon on Water Street. Bridgeton is on a tidal river that flows into Delaware Bay at the southern tip of New Jersey.

On September 22, 1897 he married Mabel Rebecca Greene, who was born 1878 in Pennsylvania. On April 23, 1899 their daughter Martha was born. On February 26, 1898 their son Merril was born. [Merril DeMaris grew up to become a commercial artist in advertising and was a writer for Walt Disney'sSnow WhiteandSilly Symphonies.]

In 1900 he studied at the Art Students League of New York.

By 1903 his pen-and-ink story illustrations appeared in a nationwide newspaper syndicate that included San Francisco, St. Louis and Washington, DC.

In 1906 he began to work in magazines and newspapers as a freelance illustrator. He painted covers and drew pen and ink story illustrations that were published inPearson's, Harper's, Modern Priscilla, Appleton's, The Progressive Grocer's, American Banker's Association Journal,The Woman's Magazine, andThe Saturday Evening Post.

He developed a reputation as a cartoonist when his gag panels appeared inPuck, Life, andJudge Magazine.

He painted covers for pulp magazines throughout his career, but his work appeared more frequently in pulps during the Great Depression, when slick magazines faced hard times from lost advertisers. Several other artists, such asCharles LaSalle,Delos Palmer, andGayle Porter Hoskinsfollowed this same unconventional path to pulp magazines after having first established reputaions in slick magazines during the roaring twenties. Pulp magazine cover paintings by Walter DeMaris appeared onThe All-Story, Adventure, Detective Fiction Weekly, Munsey's, The People's, Romance, Short Stories, andWest.

In 1923 he moved to 34 Pierce Street in New Rochelle, NY, which was a popular artist community, just forty minutes north of Grand Central Station by commuter train. His neighbors includedNorman Rockwell, Frederick Remington, Joseph andFrank Leyendecker.

On April 24, 1935 The New York Times published his thought provokingLetter To The Editor, which concerned the unconscious influence of seen-but-forgotten paintings by other artists.

Walter DeMaris died in New Rochelle at age of seventy on January 30, 1947.

OTHER INFO OF CONCERN FOR THIS LISTING SPECIAL CHARACTERISTICS/DESCRIPTIVE WORDS:

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**NOTE** : PAGES MAY SHOW AGE WEAR AND IMPERFECTIONS TO MARGINS, WITH CLOSED NICKS AND CUTS, WHICH DO NOT AFFECT AD IMAGE OR TEXT WHEN MATTED AND FRAMED. SOMETIMES THE PAGES HAVE BEEN TRIMMED.. PLEASE NOTE THE ACTUAL SIZE OF SELLING AD IN THE ATTACHED PHOTO IMAGE... WHAT YOU SEE IS WHAT YOU GET...

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FC4866

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