1986 Tony Bennett, Radio City Music Hall, New York City © Gary Gershoff / RETINA For Sale

1986 Tony Bennett, Radio City Music Hall, New York City © Gary Gershoff / RETINA
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1986 Tony Bennett, Radio City Music Hall, New York City © Gary Gershoff / RETINA:
$217.15

Tony Bennett performing at Radio City Music Hall in New York City in May 1986. © Gary Gershoff / RETINATirage argentique sur papier RCFormat: 25x20cmEtiquette du photographe et de l'agence au dos: GARY GERSHOFF / RETINA, et mention manuscrite "Tony Bennett - Radio city - 5/86L'origine de la photo peut être trouvée sur internet via l'agence ALAMYEtat parfaitLe photographe (depuis le site: Rock photo paper):
Gary GershoffBorn in Brooklyn, New York, in 1952, Gary Gershoff was destined to take pictures. As a young man, his father was an avid photographer with a darkroom and constantly recorded family events with movie cameras. By 1964, Gary shot his first subject, the World’s Fair in nearby Flushing Corona Park.
Gary played drums in a high school rock band - music was already a constant force in his life. He also began to explore photography seriously after purchasing a used Minota SR1 camera. With no exposure meter built into the camera, Gary learned his exposures for Tri-X film from the instruction sheet included in each box. While attending community college in Queens, Gary took week-end classes at The New School in Manhattan, learning all the basics of photography, developing film, and printing. He went on to Richmond College (now the College of Staten Island) to study film-making and film history with directors Jiri Weiss and Jan Kadar of Czechoslovakia, and noted theatre and film director John Hancock.
In 1977, combining his love of music and photography, Gary began going to shows at a club called My Father’s Place in Roslyn, Long Island, and shooting the acts including Hall & Oates, Chuck Mangione, and Tom Waits. In that same neighborhood was a music paper, Good Times. Armed with a small portfolio, he showed it to one of the head writers, Kurt Loder (of eventual Rolling Stone fame and MTV). Gary was appointed a contributing photographer and began to get steady assignments shooting concerts in the New York metropolitan area. The exposure led to Gary’s work being published in rock magazines Hit Parader, Circus, and Creem.


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